Panel Borders and other podcasts

Panel Borders and other podcasts

Podcasts, radio shows, writing and more by Alex Fitch

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Today’s screening: Midnight Cowboy (1969)

May 12, 2010

Electric Sheep Film Club: Midnight Cowboy (1969)

Centring on the love story between two drifters, one a naive ‘cowboy’ from Texas turned gigolo (John Voight), the other a diseased conman (Dustin Hoffman), John Schlesinger’s Midnight Cowboy is a landmark of American 60s cinema.

Orginal American poster for Midnight Cowboy

Orginal American poster for Midnight Cowboy

Remarkable for its powerful, improvisatory performances, its honest depiction of urban squalor and isolation and its obligatory 60s formal flourishes, it is one of the most memorable of the hippie-era films that so poignantly convey the period’s disillusion over America’s broken dreams.

Certificate: 18

Dir: John Schlesinger, USA, 1969, 113 min

Guest speaker: Emma Smart, programmer for the London Lesbian and Gay Film Festival, will talk about cowboys and gay representation in cinema in an onstage Q&A with Electric Sheep assistant editor Alex Fitch after the film.

FILM WRITING COMPETITION:
Film students and aspiring film writers are invited to enter our film writing competition: write a 200-word review of Midnight Cowboy and send it to ladyvengeance [at] electricsheepmagazine.com, marked ‘Film writing competition’ in the subject line. Time Out film critic Tom Huddleston will select the best review. Deadline: Thursday 27 May. The selected review will be published on the Electric Sheep website in May.

Wednesday 12 May, 8.30pm, Prince Charles Cinema, 7 Leicester Place, WC2
More info at www.princecharlescinema.com

Links: Midnight Cowboy pages on wikipedia and the IMDb
Listen to Alex’s other interviews with Emma Smart

In association with

electricsheepmagazine.co.uk avoids industry chit-chat and cheap abuse. The writing is confident and well-informed and the scope encompasses everywhere from Spain to South Korea. It writes about film for people who like film: a classic approach.
New Statesman 01/03/10

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